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Vous avez sélectionné:
Professor Hair
Partitions à imprimer
43 partitions trouvées
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1
26
Professor Hair
Professor Hair
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Joel Goodman
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Professor Hair
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Joel Goodman
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.751458 Composed by Joel Goodman. Contemporary. Score. 2 pages. Joel Goodman #5773181. Published by Joel Goodman (A0.75145...
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Piano Solo - Level 3 - SKU: A0.751458 Composed by Joel Goodman. Contemporary. Score. 2 pages. Joel Goodman #5773181. Published by Joel Goodman (A0.751458). The composer (Joel Goodman) writes... Professor Hair was written as a comedy piece. The title describes my hair during the lockdown period of Corona Virus in the UK, May 2020. There is also a silly portrait at the top of the sheet music. This piece should be played in a crazy manner to mimic a nutty professor’s hair. Imagine Einstein.
$1.99 ≈
1.85€
Tipitina - The Definitive Piano Arrangement
Tipitina - The Definitive Piano Arrangement
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dr
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Arthur Migliazza
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Tipitina - The Definitive Pian
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Arthur Migliazza
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Dr. John, Professor Longhair. Arranged by Arthur Migliazza. Sheet Music Single, Solo Part. 7 pages...
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Piano Solo - Advanced Intermediate - Digital Download By Dr. John, Professor Longhair. Arranged by Arthur Migliazza. Sheet Music Single, Solo Part. 7 pages. Published by Arthur Migliazza
The definitive solo piano arrangement of Professor Longhair's signature song, Tipitina, is here! This arrangement is a combination of the classic piano parts from five separate Professor Longhair recordings of this song, from 1953 to 1980. This "best-of" arrangement also includes a note-for-note transcription of Fess's famous intro.
If you are a piano player who has struggled with capturing the authentic New Orleans piano sound pioneered by Professor Longhair, this transcription is an essential tool to helping you unlock your abilities. Meticulously researched and transcribed by one of the leading boogie woogie and blues pianists in the world, Arthur Migliazza, you can be sure that the fingerings and notes presented are authentic representations of what Fess actually played.
$6.95 ≈
6.47€
Professor Longhair: Tipitina
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Piano, Voix et Guitare
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Chanson Française
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Professor Longhair
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Tipitina
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Quickpartitions
4.99€
Tipitina by Professor Longhair - Easy Piano
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Piano Facile
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FACILE
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Professor Longhair
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Tipitina
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Musicnotes
Performed by: Professor Longhair: Tipitina Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (t...
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Performed by: Professor Longhair: Tipitina Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains partial lyrics), scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 2 pages -- Blues~~New Orleans Blues~~Piano Blues~~R & B~~New Orleans R & B
$3.95 ≈
3.68€
Bert Russell: Cry To Me for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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Bert Russell
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Virtualsheetmusic
Instantly printable sheet music by Professor Longhair for voice, piano or guitar of MEDIUM skill level. / country,film/tv,jazz,pop,rock,movies
Instantly printable sheet music by Professor Longhair for voice, piano or guitar of MEDIUM skill level. / country,film/tv,jazz,pop,rock,movies
$5.97 ≈
5.56€
Roy Byrd: Tipitina for voice & piano
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Piano, Voix
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INTERMÉDIAIRE
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Blues
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Roy Byrd
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Virtualsheetmusic
Instantly printable sheet music by Professor Longhair for voice & piano of MEDIUM skill level. / blues
Instantly printable sheet music by Professor Longhair for voice & piano of MEDIUM skill level. / blues
$5.97 ≈
5.56€
Roy Byrd: Tipitina for piano solo
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Piano seul
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FACILE
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Blues
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Roy Byrd
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Virtualsheetmusic
Instantly printable sheet music by Professor Longhair for piano solo of EASY skill level. / blues,children
Instantly printable sheet music by Professor Longhair for piano solo of EASY skill level. / blues,children
$4.97 ≈
4.63€
Big Chief
Big Chief
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Piano, Voix
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Professor Longhair
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Biegler
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Big Chief
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Biegler
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1364304 By Professor Longhair. By Earl King. Arranged by Biegler. Funk,Soul. Score. 5 pages. Biegler #948593. Published by B...
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Piano,Vocal,Voice - SKU: A0.1364304 By Professor Longhair. By Earl King. Arranged by Biegler. Funk,Soul. Score. 5 pages. Biegler #948593. Published by Biegler (A0.1364304). Scored for piano with the vocal line played in the right hand/treble clef.The arrangement is loosely based on the Subdudes version from their self-titled album released in 1989.
$4.99 ≈
4.64€
Polly Wolly Doodle
Polly Wolly Doodle
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Piano seul
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INTERMÉDIAIRE
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Traditional
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Paul Taylor
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Polly Wolly Doodle
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Paul Taylor
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.803327 Composed by Traditional. Arranged by Paul Taylor. Blues,Jazz,Ragtime. Score. 3 pages. Paul Taylor #5453689. Publis...
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Piano Solo - Level 3 - SKU: A0.803327 Composed by Traditional. Arranged by Paul Taylor. Blues,Jazz,Ragtime. Score. 3 pages. Paul Taylor #5453689. Published by Paul Taylor (A0.803327). Polly Wolly Doodle is an American folk tune (a nonsense song for use in social gatherings) and has retained its place in the collective memory by being covered by such artists as Leon Redbone, Burl Ives, Shirley Temple. The song still appears in numerous musical anthologies for children and community singing. Two verses and one refrain appear in this arrangement for the intermediate pianist. The style of this arrangement can be described as a funky blues style in the manner perhaps of Professor Longhair, a pivotal figure in early blues pianism. The tune is presented in the key of G and F.
$1.99 ≈
1.85€
Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rozalina Gutman
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EFFECTIVE LEADERSHIP
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Cadenza for 3rd Mvmt of Piano
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Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1018475 Composed by Rozalina Gutman. 20th Century,Children,Classical,Contemporary,Standards. Score and parts. 5 pa...
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Chamber Orchestra - Level 4 - SKU: A0.1018475 Composed by Rozalina Gutman. 20th Century,Children,Classical,Contemporary,Standards. Score and parts. 5 pages. Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts #4718069. Published by Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts (A0.1018475). MOZART, SYMPHONIC PERCEPTION OF REALITY & EFFECTIVE LEADERSHIP Rozalina Gutman’s Flow-based secret recipe that defies the common expectations of young students’ ability to achieve uncommon heights on their most satisfying path towards Higher Human Potential, is now OUT! No more waiting to grow up for having hands-on FUN-driven experiential interaction with complex and sophisticated piano/orchestra compositional mindset of Mozart! Thanks to this new publication release of CADENZA FOR THE 3RD MOVEMENT OF CONCERTO FOR PIANO & ORCHESTRA #21 IN C MAJOR BY W.A.MOZART, (K467) FOR LITTLE FUN-LOVING GENIUSES WITH SMALL AND FAST-MOVING HANDS, shared generously (in Limited Edition) by int’ly recognized master piano instructor Rozalina Gutman, now young performers can utilize her creative form of scaffolding during developmentally-critical time of their childhood. Her emotionally/intellectually balanced approach allows for the multi-dimensional engagement of child’s brain, fostering synaptic network growth for the symphonic perception of the reality - the crucial for the effective leadership ability to grasp complexities of balancing multiple priorities with no oversimplification, to help avoid the minds’s blind spots... (Read & see more inside, including Photo: Mihaly Csikszentmihalyi, Professor Flow, visionary Hungarian-born Research Psychologist who coined the term Flow & initiated paradigm shifting studies, shows his support for Rozalina Gutman’s innovations in the area of infusing children’s learning process with authentic narrative & fun, to help them achieve the state of Flow. )This publication affirms Rozalina Gutman’s outstanding lifelong commitment to advocacy for Music and Arts Education and Expressive Arts Therapy, to raise awareness for their evident high efficacy transformative impact on the human mind. And her Flow-infused teaching magic illustrates well this undeniable fact.(See inside Photo: Rozalina Gutman’s advocacy for Music Education message receives enthusiastic support from Maestro Gustavo Dudamel, proud music educator and passionate advocate for Music Education, conductor of famed Simon Bolivar National Youth Orchestra of Venezuela & Youth Orchestra of Los Angeles, conductor of LA Philharmonic.)Rozalina Gutman launched her campaign for Advocacy for Music Education through Brain/Music Research at the time of her presentation on her unique holistic teaching method (while showcasing this Cadenza) at the 17th International Seminar for the Commission on Education of Professional Musicians (CEPROM), ISME, under auspices of UNESCO. The head of Chinese delegation personally invited her to 29th World Conference of ISME in Beijing, China, where she led Int’l Symposium on this subject. ...Rozalina Gutman’s method revolves around encouraging students to invent narratives, relating to content and structure of the classical music pieces they are learning. Motivation for the child to enjoy the experience of learning... comes through personal investment in the meaning of the music being studied... Michael Hannan, Editor of Peer-Reviewed CEPROM Proceedings & Chair of 17th Int’l Seminar of CEPROM, ISME, under auspices of UNESCO(See more Photos of Rozalina Gutman inside: with celebrity supporters: Prof. Mihaly Csikszentmihalyi (Professor Flow), LA Philharmonic Conductor Gustavo Dudamel, Sen. Nancy Pelosi, Dr. Alexander (Sugar Tax on coke), Quincy Jones, celebrities’ producer, Dr. Deepak Chopra, among many others celebrities! )And now, you too can team up with this visionary strive - JOIN NOW! the initiated by her multi-disciplinary international campaign to advocate for the transformative power of Music & the Arts, to utilize this ancestral gift for propelling the spread of the human mind evolution during our time: www.CHARISMAfoundation.org Rozalina Gutman, int’ly recognized music educator and presenter, multidisciplinary scholar, concert.
$137.78 ≈
128.24€
PAPA'S FAMOUS DANCES PART 2
PAPA'S FAMOUS DANCES PART 2
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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PAPA'S FAMOUS DANCES PART 2
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876455 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876455 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 82 pages. JoeCopio Music LLC #53355. Published by JoeCopio Music LLC (A0.876455). PAPA’S FAMOUS DANCES - PART 2 Back to School 2015 From A Collection Of Six Dances As Combo Music EMMA’S BLUES JOEY’S READY WILSON’S BOOGIE WOOGIE PAPA’S FAMOUS DANCES PART 2 is a collection of 3 Dances as combo music composed and arranged by Joe Procopio for a small ensemble, band, stage band or combo with flexible instrumentation. These works may be performed with only two Saxes (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of the dances makes them unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, each dance has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. These works have been performed by College and High School students in many major concert events along the East Coast with great success. They are published separately and in sets PAPA’S FAMOUS DANCES Part 1 and PAPA’S FAMOUS DANCES Part 2 with each Part containing 3 Dances. I have adapted the audio here for synthesizer so that they may be previewed. The works are named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$9.99 ≈
9.30€
MY SWEET LYDIA
MY SWEET LYDIA
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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MY SWEET LYDIA
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876449 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876449 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 33 pages. JoeCopio Music LLC #53329. Published by JoeCopio Music LLC (A0.876449). MY SWEET LYDIA Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MY SWEET LYDIA is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MY SWEET LYDIA makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MY SWEET LYDIA has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MY SWEET LYDIA includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99 ≈
4.64€
MARY ~ ELAINE
MARY ~ ELAINE
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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MARY ~ ELAINE
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876448 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876448 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 23 pages. JoeCopio Music LLC #53327. Published by JoeCopio Music LLC (A0.876448). MARY ~ ELAINE Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MARY ~ ELAINE is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MARY ~ ELAINE makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MARY ~ ELAINE has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MARY ~ ELAINE includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99 ≈
4.64€
JOEY'S READY
JOEY'S READY
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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JOEY'S READY
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876451 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876451 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 28 pages. JoeCopio Music LLC #53333. Published by JoeCopio Music LLC (A0.876451). JOEY’S READY Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio JOEY’S READY is a dance written and arranged by Joe Procopio for a small ensemble, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of JOEY’S READY makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, JOEY’S READY has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 2 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for JOEY’S READY includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99 ≈
4.64€
Tribute for Organ
Tribute for Organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Tribute for Organ
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School Sisters of St. Francis
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1393791 By Dr. Sheri Masiakowski. By Sr. Mary Hueller OSF (Sr. Maurelia Hueller OSF). 20th Century,Sacred. Score. 6 pages. Sch...
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Organ - Level 4 - SKU: A0.1393791 By Dr. Sheri Masiakowski. By Sr. Mary Hueller OSF (Sr. Maurelia Hueller OSF). 20th Century,Sacred. Score. 6 pages. School Sisters of St. Francis #977263. Published by School Sisters of St. Francis (A0.1393791). Sister Mary Hueller (1921-2017), DMA from the Eastman School of Music, colleague of Sr. Theophane Hytrek OSF, was professor of organ, piano, and liturgical music at Alverno College (Milwaukee, Wisconsin) throughout her professional career. At various times Sister Mary chaired the Fine Arts Division, coordinated the Music Department, and served on many college committees. After Sr. Theophane Hytrek's passing in 1992, Sr. Mary succeeded her as organist at St. Joseph Chapel for several decades. “Tribute” was written in response to Sr. Theophane Hytrek’s choral compostion “Canticle of the Creatures” (SSAA) sung by the School Sisters of St. Francis choirs regularly for community celebrations since it was written in 1949. The choral composition will soon be published in both SSAA and SATB arrangements.“Tribute” is of intermediate difficulty but has a challenging pedal part. At the time of composition Sr. Mary had learned to use Finale software and engraved the original score herself. This editor enjoyed spending time with Sr. Mary once a week as tutor while she developed this skill. Unfortunately the original computer file is no longer available and extant copies are not of sufficient quality to publish. Dr. Masiakowski produced the following edition based on Sr. Mary’s score. Fingering and pedal suggestions are those of Sr. Mary Hueller.We invite you to browse other creative works by the School Sisters of St. Francis on our website: https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$4.99 ≈
4.64€
Tribute for Organ
Tribute for Organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Dr
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Tribute for Organ
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School Sisters of St. Francis
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SheetMusicPlus
Pipe Organ - Level 4 - SKU: A0.1393797 By Dr. Sheri Masiakowski. By Sr. Mary Hueller OSF (Sr. Maurelia Hueller OSF). Arranged by Dr. Sheri Masiakowski. ...
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Pipe Organ - Level 4 - SKU: A0.1393797 By Dr. Sheri Masiakowski. By Sr. Mary Hueller OSF (Sr. Maurelia Hueller OSF). Arranged by Dr. Sheri Masiakowski. 20th Century,Sacred. Full Performance. Duration 165. School Sisters of St. Francis #977269. Published by School Sisters of St. Francis (A0.1393797). Sister Mary Hueller (1921-2017), DMA from the Eastman School of Music, colleague of Sr. Theophane Hytrek OSF, was professor of organ, piano, and liturgical music at Alverno College (Milwaukee, Wisconsin) throughout her professional career. At various times Sister Mary chaired the Fine Arts Division, coordinated the Music Department, and served on many college committees. After Sr. Theophane Hytrek's passing in 1992, Sr. Mary succeeded her as organist at St. Joseph Chapel for several decades. “Tribute” was written in response to Sr. Theophane Hytrek’s choral compostion “Canticle of the Creatures” (SSAA) sung by the School Sisters of St. Francis choirs regularly for community celebrations since it was written in 1949. The choral composition will soon be published in both SSAA and SATB arrangements. “Tribute” is of intermediate difficulty but has a challenging pedal part. At the time of composition Sr. Mary had learned to use Finale software and engraved the original score herself. This editor enjoyed spending time with Sr. Mary once a week as tutor while she developed this skill. Unfortunately the original computer file is no longer available and extant copies are not of sufficient quality to publish. Dr. Masiakowski produced the following edition based on Sr. Mary’s score. Fingering and pedal suggestions are those of Sr. Mary Hueller. We invite you to browse other creative works by the School Sisters of St. Francis on our website: https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$1.99 ≈
1.85€
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Opera
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Classique
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pa...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,” Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!” is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie” well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged” with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim” accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.” and “dim.” markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.33€
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,” the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged” with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim” accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “ß” with “ss” in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.” and “dim.” markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.33€
Sonatine for Trumpet and Piano
Sonatine for Trumpet and Piano
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Trompette, Piano
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AVANCÉ
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Contemporain
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Stephen Weber
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Sonatine for Trumpet and Piano
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Dr. Stephen Weber
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SheetMusicPlus
Piano,Trumpet - Level 5 - SKU: A0.940354 Composed by Stephen Weber. Contemporary. Score and part. 23 pages. Dr. Stephen Weber #3079829. Published by Dr....
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Piano,Trumpet - Level 5 - SKU: A0.940354 Composed by Stephen Weber. Contemporary. Score and part. 23 pages. Dr. Stephen Weber #3079829. Published by Dr. Stephen Weber (A0.940354). Sonatine for Trumpet and Piano is a three-movement work for advanced trumpet seven minutes in length. The movements, March-Like, Adagio, and Allegro con brio, are connected and performed without a break. The work is ideal for concert performance, requiring an advanced piano accompanist. Composer Stephen Weber is professor of music and chair of the Arts and Humanities division at the University of Science and Arts of Oklahoma. He is a member of ASCAP and has his own YouTube channel at which you can see performances of his work in the U.S., in Europe, and in Asia. .
$7.99 ≈
7.44€
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925). Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged” with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim” accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “ß” with “ss” in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.” and “dim.” markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.33€
Vignettes for Piano Solo, Volume 2
Vignettes for Piano Solo, Volume 2
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Piano seul
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INTERMÉDIAIRE
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Jazz
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Contemporain
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Stephen Weber
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Vignettes for Piano Solo, Volu
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Dr. Stephen Weber
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.940349 Composed by Stephen Weber. 20th Century,Contemporary,Jazz,Standards. Score. 17 pages. Dr. Stephen Weber #3077189. ...
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Piano Solo - Level 3 - SKU: A0.940349 Composed by Stephen Weber. 20th Century,Contemporary,Jazz,Standards. Score. 17 pages. Dr. Stephen Weber #3077189. Published by Dr. Stephen Weber (A0.940349). Vignettes for Piano Solo, Volume 2, is a set of teaching pieces for the intermediate level pianist. Each of the eight selections if between 1 and 3 minutes in length. The pieces are ideal for student performances. They are designed to be attractive, yet challenging, and they are in various styles ranging from lyrical romantic, to percussive, to light jazz and ragtime. Many of the selections are built on quickly learnable patterns. Dr. Weber is a member of ASCAP and has his own YouTube channel, at which you can hear many of his compositions and excerpts from some of his performances in the U.S., Europe, and Asia. He currently serves as Professor of Music and Chair of the Arts and Humanities Division at the University of Science and Arts of Oklahoma.
$7.99 ≈
7.44€
The Unofficial Guide to Above Average Singing for Medium Voice and Piano
The Unofficial Guide to Above Average Singing for Medium Voice and Piano
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Piano, Voix
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AVANCÉ
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Stephen Weber
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The Unofficial Guide to Above
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Dr. Stephen Weber
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.940353 Composed by Stephen Weber. Contemporary,Instructional,Standards. Score. 20 pages. Dr. Stephen Weber #307771...
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Piano,Vocal,Voice - Level 5 - SKU: A0.940353 Composed by Stephen Weber. Contemporary,Instructional,Standards. Score. 20 pages. Dr. Stephen Weber #3077719. Published by Dr. Stephen Weber (A0.940353). The Unofficial Guide to Above-Average Singing is for medium voice and piano and includes four pieces in the set, a Preamble, The Don'ts of Singing, an Interlude, and the Do's of Singing. They are designed to be instructional and concert pieces. The Do's and Don'ts require the singer to perform vocal technique correctly and incorrectly. The piano part is integral to the pieces and quite challenging for the pianist. This is a most amusing set of pieces; if you enjoy keeping your audience amused, these pieces may be what you're looking for. The entire set is less than 7 minutes. Dr. Stephen Weber is a member of ASCAP and has his own YouTube channel, at which you can see some of his compositions and performances in the U.S., Europe, and Asia. He currently serves as Professor of Music and Chair of the Arts and Humanities Division at the University of Science and Arts of Oklahoma.
$9.99 ≈
9.30€
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